Anonymous/FBG/4DaFunk Catalog # ANONY001 / #FBG 39 / #4DF 088 Release Year May 2011 1CD Length 79:52 Date/Venue First Avenue, Minneapolis 7th June 1984 Source Soundboard Quality EX++ |
Mike's Comments
(rates this release 5.0/5.0) Courtesy of Mike Antonich @ Blog:
Now It's On
Since he is one of the
most bootlegged artists of all time, it is easy to get overwhelmed and worn down
by the massive amount of Prince releases that come out every year. It seems
impossible for the man to give a concert these days that isn't readily available
on the Internet within a week or less of the show, and studio material continues
to leak out, be it new or repackaged and remastered collections of long
circulating tracks.
So it takes a special release to get collectors' attention and the labels Free
Boot Generation and 4DaFunk (along with an anonymous source) have joined forces
to deliver just that. In fact, this is the new Holy Grail of Prince bootlegs. A
stunning soundboard recording of his June 7, 1984 birthday show at First Avenue
in Minneapolis with The Revolution.
The historical significance of this show cannot be underestimated. The "Purple
Rain" album release was still almost three weeks away. "When Doves Cry" had just
been released as a single on May 16, so here you have Prince And The Revolution,
still unaware of the mania and super-stardom that was soon to follow, playing a
loose, funk filled, near 90 minute set of rarities at the club the "Purple Rain"
movie had been filmed at. It is a fascinating time in music and Prince history,
and to have it documented in such incredible sound quality is a dream come true.
I first read about this show in a magazine, it may have been Creem, back in 1984
once the "Purple Rain" hype was going full steam ahead. This was well before the
days of Internet message boards and freely traded Prince material. Reading all
these song titles I did not recognize had me extremely jealous of everyone who
had been able to attend. Many years later, once I got into the collecting
community, I was able to obtain a copy of this show, but it was a rather poor
audience recording that did not do justice to the performance. It's amazing to
get to hear this show, 27 years later, in all its glory with perfect sound and
think back to when I first read about it.
After a brief intro, Prince And The Revolution take to the stage to the driving
bass of Brown Mark and drums of Bobby Z for "17 Days", the B-side to the just
released "When Doves Cry" single. What follows is what first caught my eye when
I read that review of the show in 1984, two songs that to this day have never
been released. Studio versions of "Our Destiny" and "Roadhouse Garden" have yet
to circulate freely amongst Prince collectors, so this back to back performance,
in pristine quality, is likely to be the best way fans will get to hear these
rare, unreleased tracks. "Our Destiny" has a swirling keyboard pattern during
the verses before it kicks into the chorus of "Our destiny is 2 fall in love".
"Roadhouse Garden" is a funkier track with a catchy, repeating guitar riff and
backing vocals provided by Wendy and Lisa.
Prince then takes a minute to address the audience, telling them "y'all came in
here expecting to drive Prince's red Corvette, that's not gonna work, OK? We're
just gonna play a few numbers, some of 'em you gonna know, most of 'em you
won't." He then introduces new guitarist Wendy Melvoin before they begin the
funk workout "All Day, All Night", another brand new, at the time unreleased
song. Some of the basic tracks of this live version were used for the studio
version the band recorded, although that too never saw release, but is widely
circulating amongst collectors. Prince later gave the song to Jill Jones who
released it on her 1987 Paisley Park album. I've always preferred Prince And The
Revolution's version, it is a shame it never made it to an official release.
Things then slow down for a stripped down performance of the ballad "Free" from
"1999". Prince is on piano, joined just by Bobby Z on drums, while the rest of
the band provide backing vocals on the chorus. Prince then dedicates a
scintillating nine minute performance of "Noon Rendezvous" to 'that little girl
over there, that Sheila E. dame', since Sheila had flown in for the show. Her
debut album had just been released three days earlier, with this ballad one of
its highlights. Prince extends the song with some wonderful guitar work and The
Revolution singing "sitting in this cafe, waiting 4 my baby" that I wish had
been used on the released Sheila E. version.
Another brand new song is up next as an over eight minute long version of
"Erotic City", with a minute long guitar intro, is played. He also incorporates
some of "All The Critics Love U In New York" towards the end as well. This track
would not see release until late August on the "Let's Go Crazy" single. Prince
then returns to "1999" for another stunning highlight, a drastically reworked,
over ten minute long version of "Something In The Water (Does Not Compute)". A
cold, electronic song on record, he turns it into a guitar heavy rocker live, by
far the night's highlight for fans of Prince's guitar work. The main set then
ends with an over eleven minute, extended version of "When Doves Cry", which
provides one of the funnier moments of the show unintentionally. Prince forgets
the opening lyrics of the song, starting to sing "How can U" before mumbling
then trying to play off his mistake by calling out the crowd for not clapping
along. "Come on y'all, have you heard this before? Have you heard this before?
Then clap your hands, come on!" Those in attendance may not have realized it at
the time, but all these years later, it's obvious when he messes up one of his
most famous songs.
The band leaves the stage to cheers and chants that eventually turn into the
crowd singing "Happy Birthday" to Prince when he returns to the stage. They then
close out the night with jams on two funk workouts, the "1999" era B-Side
"Irresistible Bitch", completely reworked with a greasy guitar line and thumping
bass, and "Possessed", a song that was used in the background during a scene in
"Purple Rain", but has never been released.
I can't emphasize enough what an essential release this is for Prince collectors
and fans. The performance is incredible, all the more so being able to hear it
in this type of sound quality. Prince And The Revolution, literally weeks before
"Purple Rain" exploded and made them the biggest act in the country that year,
with an astounding club show. The fact something like this shows up 27 years
after the concert leaves hope for other gems that just have not circulated yet
to see release in the future. Whoever is responsible for sourcing this
extraordinary soundboard recording, a million thanks.